Also, spending time among a working crew, that had fixed responsibilities and operational structures, provided me with a new lens to think through my own practice and role as an artist,’ she continues.įrom a few thousands applicants, only seven were chosen for the six week voyage, which follows a route of their choice.

‘First, the idea of travelling with physical commodities was conceptually challenging and inspiring.

‘As an artist, it was interesting and thought-provoking to find myself in this environment,’ says Strauss. The first body of work was based on her experiences living on the ship and now the inaugural residency has eight artists from all over the world, stopping in various ports across the globe whilst they work on the exhibition that their trip will culminate in. Discovering that the airfare for herself and her art was astronomical, she boarded a cargo ship instead. The founder and director of the Residency, Mayaan Strauss, came up with the idea after she decided to voyage from graduate school in the US back home to Israel.

Completely isolated from the rest of the world, the Residency allows its artists to work in a remote space with no tangible lines of communication to the outside world. The residency’s geographic location can only be defined in relation to the existing shipping routes and destinations that form the backdrop of global trade. Aboard commercial cargo ships is where the Container Artist Residency 01 program is finding its abode.

Precious cargo transportation program